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The Edge of Darkness

2008
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About The Edge of Darkness

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Author Brian Clemens is probably best known for his Television and Film writing credits (he has also directed and produced for both media).

Following an early television play for the B.B.C., for several years he was a staff writer for the famous film and television producers The Danziger Brothers, churning out dozens of 'quickie' scripts for assembly-line 'B' movies and half hour television series including Man from Interpol and Richard the Lionheart.

He moved on to write more substantial episodes for various television series including The Invisible Man, Sir Francis Drake and Danger Man.

He wrote the original pilot episode for The Avengers and was the script editor, producer and main scriptwriter for that series between 1961 and 1969. He brought his typical spirit of burlesque to his other television series such as Adam Adamant, The Baron, and The Persuaders. Later his production company produced The Professionals.

Following television and film work in the U.S. (which included The Father Dowling Mysteries, Perry Mason and The Highlander) he returned to the U.K. where he wrote and produced for HAMMER films as well as several feature films including The Golden Voyage of Sinbad and Highlander II - The Quickening.

In the last few years he has written several successful stage plays including Strictly Murder, Inside Job, Will You Still Love Me in the Morning?, Anybody for Murder?, Shock!, A Sting in the Tale, The Devil at Midnight.

As a relative of Mark Twain (Samuel Longhorne Clemens) he not only named his sons after his famous relative but has written pieces based on his works.

The period of The Edge of Darkness is the 1900's with the action taking place in a deserted house set on the cliffs of the English south coast (Agatha Christie territory!).

Emma's parents are bringing her home after finding her in a convent hospital where, for three years, she had been listed as an unknown person following a trauma which led to total amnesia - or did it?

Our cast includes Trevor Day, John Daykin, Lesley Hale, Peter Nethercote, Liesl Vanderkley and Elizabeth Wood.

29 Mar to 5 Apr, 2008

  • Venue: The Courthouse Theatre
  • Genre: Thriller
  • Playwright: Brian Clemens
  • Director: Julian Oldfield

Cast

Trevor Day

Hardy

Elizabeth Wood

Penny

Lesley Hale

Laura

Liesl Vanderkley

Emma

Peter Nethercote

Max

John Daykin

Livago

Lincoln Hunt

Dale

Crew

  • Director & Design

    Julian Oldfield

  • Stage Manager

    Sally Reed

  • Crew

    Lincoln Hunt & Kate Peachey

  • Lighting Design

    Liam Mudge

  • Lighting Assistant

    Marshall Woolfrey & Jackie Wood

  • Costume Coordinator

    Peter Nethercote

  • Sound Recording

    Michael Zala

Performance Gallery

Reviews

Reviewer: Gail Sjogren

Ballarat National Theatre is this year celebrating 70 years of bringing quality theatre productions to the Ballarat stage. Their current production, The Edge of Darkness, certainly maintains the high standard established over those years.

Playwright Brian Clemens has a list of writing credits a page long, including many well known film and television scripts and stage plays, so it is little wonder that this play is tightly scripted and keeps our interest to the last moment.

Set in the early years of last century, the plot centres around Laura and Max, who are bringing home to their isolated residence their long-lost daughter Emma, discovered in a Dublin convent three years after she disappeared and suffering from total amnesia. Or is she? And are they what they seem? The plot twists and turns; each time I thought I had figured it out, a new twist moved me in another direction. There are some welcome touches of dry humour, mostly at the hands of Penny the maidservant, played delightfully by Elizabeth Wood, and Hardy the enigmatic manservant, deftly portrayed by Trevor Day.

As the parents rediscovering their lost daughter, Lesley Hale and Peter Nethercote are totally convincing, with subtle body language which hints to us that all may not be as it seems. Liesl Vanderkley is their daughter, by turns charming and vulnerable. John Daykin is forceful and menacing in a small but crucial role.

The excellent acting is played out on a detailed and authentic set, where little touches like the wind blowing the curtains add atmospheric impact and Julian Oldfield’s direction keeps the action moving swiftly. I can fully recommend this production and do hope that it will be really well supported.