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2026 Season Announcement


23 September 2025

Ballarat National Theatre is pleased to announce its 2026 Season of productions, which will be performed at the Ballaarat Mechanics Institute.

April 10 – 19, 2026 
The Dog Logs by CJ Johnson
Directed by Gin O’Brien

August 20 – 23, 2026
You Can’t Tell Anyone by Joanna Richards
Directed by Ruby Abbott

October 23 – 1 November, 2026
Dead Man’s Cell Phone by Sarah Ruhl
Directed by Benj Beatty

Audition information and show imagery will be coming soon.

Season submissions are currently open for the 2027 season. Find out more on the link below.

The Dog Logs by CJ Johnson

10 – 19 April 2026 

Directed by Gin O’Brien

I love dogs! I love stories about dogs. I love stories spoken by humans from a dog’s point of view. I love stories where humans are pretending to be dogs. Funny stories, sad stories, violent stories; love them all. So, how could I resist wanting to direct The Dog Logs? 

Come and meet my newest companions from a Rottweiler with neighbour problems to a prima donna toy poodle, these monologues examine the lives of dogs from every breed, age and situation. This is my full-length directorial debut, and I can’t wait to share it with everyone.

AUDITIONS: Sunday 9 November

You Can’t Tell Anyone by Joanna Richards

20 – 23 August 2026

Directed by Ruby Abbott

I won’t tell, if you won’t.

You Can’t Tell Anyone is a philosophical thriller that examines the transition from adolescence to adulthood. Thanks to a game of Paranoia, this group of teens will never be the same again. No one is safe, not even the audience.

I am very excited to be bringing a youth centred play to Ballarat in 2026. Our town is exploding with young talent. I hope you’re there to witness it.

Dead Man’s Cell Phone by Sarah Ruhl

23 Oct – 1 Nov 2026

Directed by Benj Beatty

219. That’s how many unplayed voicemails I have.

One is from a man who died a day later. We never met but his ghost lives on my phone. It’s been a year and to listen now would seem like desecrating a grave. So it stays, hidden amongst the voices of the living. If I listened, would he know? If I left a message, what would I say?

Exploring this blurring of the lines between the heard and the unseen, how technology connects us as humans while robbing us of our humanity, is why I’m excited to be bringing Dead Man’s Cell Phone to BNT.