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Come Back Little Sheba

1962
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About Come Back Little Sheba

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Come Back, Little Sheba is a 1950 play by the American dramatist William Inge. Inge wrote the play while he was a teacher at Washington University in St. Louis.

The title refers to Lola's missing dog, who disappeared before the play's opening and remains gone throughout the story. Lola hopes for the puppy's return throughout the play by calling "Come back, little Sheba" daily from the front door, but eventually faces reality and gives up on Sheba's return.

1962

  • The Little Theatre

  • Genre: Drama

  • Playwright: William Inge

  • Director: Pam Skinner

Synopsis

Set in the Midwestern house of Lola and Doc Delaney, the plot centers on how their life is disrupted by the presence of a boarder, Marie, a college art student who has a keen interest in the young men around her.

Middle-aged Lola engages in mild flirtations with the milkman and the mailman. She sees in Marie a younger version of herself and encourages her pursuit of her hometown boyfriend, the wealthy Bruce, but also her classmate, the athletic Turk.

Doc, a chiropractor, abandoned a different career in medicine when he married a pregnant Lola, who subsequently lost the baby.

A recovering alcoholic, Doc maintains a precarious sobriety. To him, Marie represents youth and opportunities long gone; seeing her with Turk brings out resentments against Lola for ruining his life. Ultimately these feelings cause him to fall off the wagon, and act violently toward Lola. Frightened, she calls Doc's Alcoholics Anonymous sponsor, who comes to collect Doc and take him to a state asylum where he can be sobered up. When he comes back four days later, Marie has married Bruce and left, and he and Lola reconcile.

Cast

Judy Read

Lola

Ron Boon

Doc

Judy Morley

Marie

Barry McKenzie

Turk

Alan Shinnicke

Postman

Marj. Ford

Mrs. Coffman

Rod Farnbach

Milkman

Roy Thompson

Messenger

Neil Mudge

Bruce

Bob Baker

Ed. Anderson

Don Grant

Elmo Huston

Crew

  • Director
    William Inge
  • Assistant Director
    Joy Smith
  • Stage Manager
    Jan Oughton
  • Costume Design and Coordination
    Nan Westerink, Gwen Hocking, Jean Thompson
  • Sound
    Albert Dulfer
  • Lighting
    Geoff Simmonds, Don Fraser
  • Props
    Muriel Mitchell, Nancy Brauer
  • Set Design
    Maureen Boon
  • Marketing
    Jan Oughton
  • Set Construction
    Brian Pearce, Roy Thompson, Margaret Gough, Barbara Bennett
  • Make up
    Connie Russo

Gallery

References