2025 BNT Board
Announcing the new BNT board for 2025, with positions decided at the 2025 AGM.
The current board 2025 consists of the following:

Gin O'Brien
President

Benj Beatty
Vice President

Ruby Abbott
Secretary

Hayden Collins
Treasurer

Evelyn Zeven
Marketing Manager

Daria Ledovski
Front of House Manager

Peter Nethercote
Board Member
The Annual General Meeting was held in February. The date, venue and time of the AGM are sent out to members at least three weeks in advance at which nominations are requested for potential board members.
Nominations must be completed and lodged with the Secretary seven days prior to the AGM.
Leaving Board Members

Board Member (2024)
Jack Brown
Jack signalled his intention to join the board at the 2024 AGM. With his significant contributions to the set construction in Wyrd Sisters, his expertise was most appreciated by the board. Unfortunately due to other committments Jack had to resign, however he would be most welcome should he decide to reapply.

President (2024)
Megan J Riedl
Picking up the role of President out of the 2024 AGM, Megan J Riedl threw herself into the job with gusto. A well established wordsmith and poet, Megan loved to get involved in every level of show production.
Taking the one act play The Death of Ellen Moore and expanding it to a multi play production was no easy feat, and her creative directing skills paid off as BNT went outside the comfort zone and delivered a memorable show with a huge cast and crew at a new venue, all keeping close to budget.
Our 2025 season relies on a partnership with the BMI that Megan initiated. Unfortunately she was unable to continue her position due to personal committments.
Megan continues her performing arts work as The Ballarat Poetess.

Membership Manager (2023), Secretary (2023-2024), Treasurer (2024)
Laura Hudson
Laura joined the BNT Board at the AGM in 2023, taking on the role of Membership Manager with her excellent communication skills and enthusiam for the theatre community. This extended into becoming the Secretary in the later half of 2023 and well into 2024.
During her time on the board she also assistant directed Wyrd Sisters, and helped out considerably with bump-in and bump-out for Caesar, as well as Front of House.
When someone needed to pick up the treasury mantle while Liana was on leave, she went and learned Xero so that she could manage the finances until a new Treasurer was found. Her wealth of knowledge and ability to follow bureaucratic processes is exemplary, along with many soft support skills, and she will be missed.

Marketing Manager (2020-2023), President (2021-2023), Treasurer (2023-2024)
Liana Emmerson
Liana has been a board member since 2020 and has fulfilled roles as both Marketing Manager and Treasurer, as well as 3 years as BNT President. During her time on the board, she set up multiple social theatre events including Monologue Karaoke, Theatre Club and the End of Year Theatre Party. She researched and established the company’s move to a digital membership platform (Hello Club), including writing the processes board members would use in the migration of our membership records to make us compliant with Consumer Affairs Victoria. Liana established free access to professional digital tools for the company which has included Google Workspace with unlimited digital storage and a custom domain company email, as well as Canva Pro for professional graphic design tools.
One of the many big contributions from her design experience, was all of the branding and signage that BNT still uses to this day on the banners, Front of House placards, and A frames. More examples of her work can be found in the poster designs from the last four years.
Using Canva Pro she established an online merchandise store for passive fundraising income. She has also used it directly to create the promotional imagery for 10 productions. She set up two digital resource libraries with the BNT Board Toolkit and the BNT Season Directors Handbook that board members could actively document procedures in a shared place that would prevent attrition of company knowledge over time and allow the ability to plan into the future, and she has extensively contributed to documenting procedures in both. She developed standardised audition information packs, production onboarding information and season submission information, as well as a digital audition booking system. She established our digital newsletter and mailing list as well as a streamlined and cost-effective postal mailing list procedure that other Victorian theatre companies have replicated.
She researched a digital image library (Flickr) for the company to archive its extensive production photos and enabled board members to migrate our image files into an unlimited online catalogue, which also enabled our 2023 fundraiser calendar. In the same year as the calendar, she also hosted a Jane Austen-themed high tea which raised around $500 for the company. She has often fulfilled the role of photographer at many social events like the High Tea and for multiple productions in both rehearsals and on stage. Liana researched and sourced a home for BNT with our Barkly Square rehearsal room which we were excited to move into in 2023, confirming a location for storage, meetings, crafts, social events and most importantly, rehearsals. Before the end of her time as Treasurer in 2024, she migrated the company's financial management over to Xero. Significantly during her time on the board, she has also been successful with 3 grant applications, totalling $25,000 for the company.
This money enabled us to source our company neon light, build a new website with a growing digital archive of past productions, and support the production of our 2023-2024 season of shows. Liana will be leaving the board to continue to the next stage of rehabilitation for the acquired brain injury she sustained in 2024 and will continue to be involved in the company in other ways.
A significant amount of our company operation is easier because of Liana’s efforts and what we do in the future is possible because of the foundational work she has done to equip our next steps. Liana's idea for the BNT Community Awards was taken on and is now continued through 2025, and her footprint will be included in every show poster, website update, financial transaction, archived image, newsletter, and audition.
Joining Board Members
Board Member (2018)
Peter Nethercote
Peter has been part of BNT for 50 of its 80 years, playing his first role with BNT in For Better, For Worse in 1968. Many others followed.
He has directed and designed often for the company, including his own plays -
The Unsuspecting Bachelor, A Clanging Cymbal and Quarters. Also two of his musicals - Trifle in the early 70s, and Barchester in 2009. He co-wrote and co-directed Who Remembers the Great War? and Honourable Mentions. His most recent plays - The Premier’s Husband, With Spectacles on Nose, Dinner with the Family, What’s in a Name? and Upstaged! - have had readings with BNT actors.
Other productions directed and designed for BNT include The Mousetrap, The Staffroom, Alphabetical Order, The Best Man, Falling from Grace, Penelope, Sylvia’s Wedding, In Duty Bound, The Perfectionist, Improbable Fiction, Theft and Natural Causes.

He has provided sets and costumes for other directors’ productions, from The Importance of Being Earnest, Lord Arthur Savile’s Crime and The Female of the Species to Macbeth and The Crucible.
As founder of Ballarat Theatre Company, Peter directed and designed The Sentimental Bloke, Baby, The Goodbye Girl and Into the Woods, as well as According to Michael, his third musical. Stop the World, I Want to Get Off was co-produced with Telltale Productions, playing two seasons in Ballarat and touring to Horsham, Warrnambool, Ararat and Mt. Gambier.
Over 39 years, innumerable plays - including seven by Alan Ayckbourn - were also presented.
With his other ensemble, The Gaslight Opera Company, Peter devised, wrote and appeared in, three Fanny La Roo variety shows, a pantomime - Sleeping Beauty and the Seven Friendly Fairies - and The Mikado, all at the Victoria Theatre, Sovereign Hill.
For BLOC and Lyric he has directed and designed My Fair Lady, The Merry Widow, Kismet, Chicago, Cabaret and Company, and created sets and costumes for many other musicals and operettas. He has often performed in them as well - most notably the patter roles for the Begonia Festival’s G and S series: Trial by Jury, Iolanthe, The Mikado and The Pirates of Penzance.
While teaching, he directed and designed twelve musicals for Ballarat Grammar, beginning with Camelot, and finishing with The Good Companions.
He has assisted behind the scenes for the Melbourne Theatre Company, the Victoria State Opera and the Production Company.
We look forward to the expertise that Peter has to share with the BNT Board in 2025.